at heart, herself not knowing why)
loved, in all its cold beauty,
a Russian winter:
rime in the sun upon a frosty day,
and sleighs, and, at late dawn,
the radiance of the rosy snows,
and gloam of Twelfthtide eves.
Eugene Onegin. A Novel in Verse by Aleksandr Pushkin
Decades have passed, and the style was rediscovered by Patrice Leguéreau, director of the Chanel jewelry studio. And thus, from the amalgamation of folklore and imperial symbols—the two otherwise polar opposite dimensions,—a new transplendent collection was born. The motifs, running like a golden thread through the entire collection, are easily recognizable: the cuts, the shapes, the two-headed eagles, the headpieces, the colors and ornaments. Yet, the pieces have been adapted to fit the modern context: by preserving the Russian flavor and sentiment, grandeur and sumptuousness but mixing in a touch of extranational mood. The jewels and the beauty of ‘Le Paris Russe’ transcend the borders of countries and nations and rise above the worldly life with its dramas and conspiracies.
Among the 69 unique pieces, our favorite are the Aigle Cambon ring in white gold and diamonds, the Blé Maria brooch in white and yellow gold with a yellow sapphire, pink spinels, Mandarin garnets, colored tourmalines and diamonds, and the Roubachka necklace in yellow gold and platinum with yellow and white diamonds.
They—and all other artworks in this exquisite collection—are nowhere near subtle and modest. They say: rich, blinding, beautiful, majestic. And thus they will look coupled with the Little Black Dress—the iconic creation of la Grande Mademoiselle.