THE REVIVAL OF NATURE AND JOIE DE VIVRE: BUTTERFLIES BY SILVIA FURMANOVICH

MESSENGERS OF THE APPROACHING SUMMER, TAKING ON NEW DIMENSIONS IN GOLD, DIAMONDS AND WOOD

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They appear out of thin air. Suddenly, out of the corner of your eye, you notice a bright splash of color, carried chaotically by the wind. A butterfly. Moving in unpredictable zigzags, she carries the warmth of the sun on her polychromatic wings.  

Silvia Furmanovich gave rein to her imagination in a joyful and sophisticated collection of butterfly earrings, rings and necklaces.  

A unique phenomenon in the world of jewelry, in her eloquent masterpieces you can smell the freshness and woodiness of rainforests, hear the breath of the wind under butterflies’ wings; you can almost taste the precious stones melting on your tongue like drops of candy, and touch the geometric lines and soft curvatures, brought to life by Silvia’s creative spirit and by Nature herself.  

Balancing on the verge of delicate and powerful, feminine and bold, spiced by the intuitive and sublime combinations of marquetry, precious metals and stones, Silvia Furmanovich’s designs are full of color and life. The designer has travelled the globe with her heart and eyes wide open: ready to absorb and treasure the gems of the natural world, artifacts discovered in the remote parts of the planet, the skills and wisdom of modern and ancient cultures, techniques and artisans.  

In many cultures, butterflies have been perceived as symbols of the human soul, of creation and transformation. Aristotle referred to the butterfly as psyche, a word designating human soul in early Greek literature.

Butterflies also represent much-needed hope. In J. R. R. Tolkien’s epic saga Lord of the Rings, the wizard Gandalf the Grey, trapped on top of the tower by his treacherous counterpart, repeatedly whispers the name of the great eagle Gwaihir to a butterfly which then disappears into the storm, and soon the eagle comes to save him.   

Today scientists study butterflies as they abandon or change their habitats to look for the visible effects of climate change and learn more about our changing planet.  

Yet, Silvia Furmanovich’s interpretation is straightforward: refined, colorful and exuberant, her butterflies are neither an allegory nor the psychoanalytic inkblots of a Rorschach test, intended to evaluate and test you.

Her approach is a whiff of fresh air. No need to guess and overthink. Just experience the pure and luxurious beauty, created by this ingenious designer, in tandem with nature and a seasoned team of jewelers!  

Signature marquetry butterflies by Silvia Furmanovich may land on your fingers, ears or neck. Visit Moda Operandi to find your butterfly.    

TIMELESS PEARLS BY MIZUKI

DO YOU LIKE PEARLS? OR DO YOU THINK THEY ARE OLD-SCHOOL? DON’T JUMP TO CONCLUSIONS BEFORE YOU HAVE SEEN THESE PIECES

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In an interview with the Wall Street Journal, Mizuki Goltz remarked that pearls have a sensuousness that can balance a sometimes-cold modernism.

Spring, summer, winter or autumn, these glowing spheres radiate soft, iridescent light, which brightens your face without stealing the spotlight but rather directing it towards the wearer’s eyes, cheekbones, neckline and dainty wrists.

The Tokyo-born New York jewelry designer Mizuki Goltz, winner of multiple awards including Town and Country’s 2017 Pearls of The Year, Pearl Design award at Centurion, and Pearl Design award at the Couture show in Las Vegas, employs her impressive cultural background, along with the knowledge and skills acquired through her studies of sculpture at the New York School of Visual Arts, to create elegant and modern pearl jewelry.

Mizuki jewelry is unique in its lightweight and contemporary aura, with a touch of nonchalant, flirtatious sensuousness. These pieces know no limits. They can be worn anywhere and on any occasion, and will never look excessive or heavy. An absolute win-win for both passionate pearl aficionados and cautious pearl sceptics!

Pearl Kansanshi Bar Earrings by Mizuki can be worn as a single earring or mixed with your favorite studs, ear cuffs or ear crawlers to create balanced and asymmetric, feminine and flirtatiously tomboyish combinations and to power up your creativity and imagination.

Refined and delicate, these pearl and gold bars will organically complement your image and draw pure and subtle light to your face.

Take a look at new Mizuki pearls on Moda Operandi!

LEGENDS OF STONE, AS TOLD BY ANNA WHITE

GEMS COME TO LIFE IN THE DESIGNS OF AN INTUITIVE STONE ARTIST, IMPASSIONED BY THEIR SECRETS

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A wizardess speaking to the stones and looking deep into their ancient mysteries.

A proud Russian beauty, with her piercing gaze and magnificent cascade of long, blond hair.

Anna White was born with a desire to create. As a child, she was always busy building and constructing, inventing and experimenting. She was born at that time in Russia when consumer culture was not yet a thing, you could not simply stop by the shop and find whatever your soul desired. Consequently (or genetically), she took her creative spirit from her father who was a master of invention, always coming up with genius ideas, little, daily masterpieces, derived from thin air.

 

 

Later in life, when Anna started buying and receiving gems as gifts, her search for an outlet for her creativity brought Anna to the realm of jewelry, where she found a way to live, breath, materialize and nurture her artistic offspring.

The way Anna works with stones is uncanny. Her instinct towards choosing the right stone is primal and profound: not only does she see, she also senses them. As I was listening to the tone of her voice, watching her facial expressions, it occurred to me that it is not mere admiration for stones as crude material for her creations, it is a fundamental understanding and respect towards them!

Empowering precious and semiprecious gems through her designs, she endows them with a frame of oxidized silver or gold. It’s a peculiar environment for the stones, and for people to comprehend and to wear them. The patina, created through oxidation (a kind of accelerated version of the natural tarnishing process), gives the metal an intentionally darkened, aged look. Thus, excessive luster, characteristic of polished metals, does not interfere with the natural beauty of the stones.

Anna’s approach to jewelry design is not overwhelmed by design itself. For her, the art of jewelry is an instrument for bringing the stones into our world. It is intriguing and refreshing how she does not obsess over big or extravagant gems, but rather contemplates and exposes the character of each stone, its magnetism, the secret microcosm and the ancient myths behind its facets.

In their powerful and beautiful relationship, Anna and the stones act as each other’s integral parts and harmonious continuation.

The enigmatic, primeval minerals come alive in the hands of this miracle worker, with her eagle eye for the beauty and her ear for the fairy tales told by each and every carefully selected and cherished gemstone.

They will talk to you too, snugly settled on your ears and neck, wrists and fingers.

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