As a result of exceptional craftsmanship we can admire four new, alluring and sensual Aladino rings.

The master jewelers must have used some kind of wizardry, so pure and smooth are the shapes, so deep is the color play of the stones, and all of this so true to the spirit of Vhernier.

The streamlined, almost aerodynamic, shape and smooth implementation make these rings, despite their voluminosity, look almost weightless—the Vhernier paradox, echoing the dual nature of a modern woman: strong yet graceful, captivating yet subtle. The clear, glassy rock crystal seamlessly fuses with rose gold, allowing the colors of the stones, placed in between, to shine through: the aquatic blue of lapis lazuli, the subtle cloudiness of white mother of pearl, the depths of the Universe in grey mother of pearl, and the joyful greenth of jade.

The signature sculptural design makes these sizeable rings perfectly wearable. A reflection of the jeweler’s imagination not to be admired under glass but worn in comfort and shown to the world. And it won’t rub against your skin, sparing you any discomfort or unexpected appearance of magic spooks.

Easily recognizable by their particular, sophisticated design, these subtly futuristic pieces remain true to the architectural principles of Vhernier jewelry. Each piece is shaped like a miniature, unique, avant-garde structure, with an eye toward the environment in which it will be exhibited. Like the graceful Italian architectural masterpieces, designed bearing in mind their surroundings, the precious pieces of Vhernier jewelry are crafted with consideration and respect to the ambient space and the wearer’s body.

Decades have passed, and the style was rediscovered by Patrice Leguéreau, director of the Chanel jewelry studio. And thus, from the amalgamation of folklore and imperial symbols—the two otherwise polar opposite dimensions,—a new transplendent collection was born. The motifs, running like a golden thread through the entire collection, are easily recognizable: the cuts, the shapes, the two-headed eagles, the headpieces, the colors and ornaments. Yet, the pieces have been adapted to fit the modern context: by preserving the Russian flavor and sentiment, grandeur and sumptuousness but mixing in a touch of extranational mood. The jewels and the beauty of ‘Le Paris Russe’ transcend the borders of countries and nations and rise above the worldly life with its dramas and conspiracies.

Among the 69 unique pieces, our favorite are the Aigle Cambon ring in white gold and diamonds, the Blé Maria brooch in white and yellow gold with a yellow sapphire, pink spinels, Mandarin garnets, colored tourmalines and diamonds, and the Roubachka necklace in yellow gold and platinum with yellow and white diamonds.

They—and all other artworks in this exquisite collection—are nowhere near subtle and modest. They say: rich, blinding, beautiful, majestic. And thus they will look coupled with the Little Black Dress—the iconic creation of la Grande Mademoiselle.